The city-state of Singapore has long desired to been seen as a viable participate in the world of art. The organizers of various shows and festivals have looked towards other cities in hopes of discovering ‘the way’ they achieved such acclaim and the reputations that cities such as Manhattan, or Paris, or Florence. The government of Singapore has created objectives towards this goal, the goal of a more Renaissance, culturally and artistically, society. Artists that live in Singapore contend that what happens culturally and becomes phenomenons in those other cities is something that must be created from within the city itself, not created by copying what the others have done, but by the originality and quality existing already within Singapore’s artistic, and local, communities. One artist stated that it is necessary to consider that the artistic culture nurtures the city, and that that can not be forced. That it must happen naturally.
So much of Singapore’s ideas and society is fostered by the economic successes in the business world, the technological world. Tourism is a growing industry based on the achievements of the business world, and the best of Singapore’s hotels and restaurants and convention centers. Artists of Singapore fear that the driving force of business, of making money, is altering and diluting the purpose and the pure of the art world. Singapore has many art festivals throughout the year, the Biennale and the Showcase Singapore being two main, and very large exhibitions. But the local artists are quite happy when the festivals leave town, as the commercialism that has over-whelmed the shows in the last few years takes away from the beauty and the meaning, or rather, the meaning art has to the artist themselves. They view these festivals as spectacles, and the wish is to bring back the local artist, the creative soul.
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